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Franz Xaver Winterhalter Portrait of Helena of Mecklemburg-Schwerin oil painting


Portrait of Helena of Mecklemburg-Schwerin
Painting ID::  78283
Franz Xaver Winterhalter
Portrait of Helena of Mecklemburg-Schwerin
1839(1839) Medium Oil on canvas Dimensions 215 x 140 cm (84.6 x 55.1 in) cyf

   
   
     

Franz Xaver Winterhalter Princess Pauline de Metternich oil painting


Princess Pauline de Metternich
Painting ID::  78310
Franz Xaver Winterhalter
Princess Pauline de Metternich
1860(1860) Oil on canvas

   
   
     

Franz Xaver Winterhalter The Empress Eugenie oil painting


The Empress Eugenie
Painting ID::  78343
Franz Xaver Winterhalter
The Empress Eugenie
Date 1854(1854) Medium Oil on canvas Dimensions 92.7 x 73.7 cm (36.5 x 29 in) cjr

   
   
     

Franz Xaver Winterhalter Portrait of Helena of Mecklemburg oil painting


Portrait of Helena of Mecklemburg
Painting ID::  78394
Franz Xaver Winterhalter
Portrait of Helena of Mecklemburg
1839(1839) Medium Oil on canvas Dimensions 215 x 140 cm (84.6 x 55.1 in) cyf

   
   
     

Franz Xaver Winterhalter Portrait of the Queen Marie Amelie of Bourbon-Two Sicilies, Queen of the French oil painting


Portrait of the Queen Marie Amelie of Bourbon-Two Sicilies, Queen of the French
Painting ID::  78408
Franz Xaver Winterhalter
Portrait of the Queen Marie Amelie of Bourbon-Two Sicilies, Queen of the French
1842(1842) Oil on canvas cjr

   
   
     

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     Franz Xaver Winterhalter
     German 1805-1873 Franz Xaver Winterhalter Galleries German painter and lithographer. He trained as a draughtsman and lithographer in the workshop of Karl Ludwig Scheler (1785-1852) in Freiburg im Breisgau and went to Munich in 1823, sponsored by the industrialist Baron Eichtal. In 1825 he began a course of study at the Akademie and was granted a stipend by Ludwig I, Grand Duke of Baden. The theoretical approach to art of the Akademie under the direction of Peter Cornelius was unfamiliar to him, as in Freiburg he had been required to paint in a popular style. He found the stimulus for his future development in the studio of Joseph Stieler, a portrait painter who was much in demand and who derived inspiration from French painting. Winterhalter became his collaborator in 1825. From Stieler he learnt to make the heads of figures emerge from shadow and to use light in the modelling of faces. He moved to Karlsruhe in 1830 with his brother Hermann Winterhalter (1808-92), who had also trained with Scheler and had followed him to Munich.

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     | Cazin Jean-Charles | Frederick George Cotman | georg pauli |


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